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We have a wide range of fascinating repertoire
and are happy to tailor programmes to suit a particular venue or theme.
We can include the viola d'amore on request.
Sample programmes
A Celebration of Bach
J. S. Bach’s set of six sonatas for violin and obbligato
harpsichord constitutes the cornerstone of Duo Dorado’s
repertory. Endlessly inventive, resourceful and moving, these
masterpieces touch the depths and heights of the human condition. They
can be presented alone (the entire set fits into two concerts), or
combined with continuo sonatas and solo harpsichord works such as the
Italian Concerto, and preludes and fugues from The Well-Tempered
Clavier. We introduce the pieces with colourful anecdotes from
Bach’s life.
A Baroque Musical Feast
A delicious selection of sumptuous sonatas, rich melodies and
tantalising counterpoint from across eighteenth-century Europe. Music
by the greatest baroque masters from Germany, Italy, France and
England, including Handel, Corelli, Couperin and Bach. The musical
flavours from each country are as varied as the local cuisine.
This popular programme
forms the basis of our CD, L'Eleganza.
Angels and Devils
A musical journey to eighteenth-century Italy, the birthplace of the
violin, in the company of Corelli (the 'arcangel'), Scarlatti, Vivaldi,
Locatelli and
contemporaries. With Italian passion and devilish virtuosity
contrasting with dreamy serenity and evocative melodies, this music is
as varied as the country itself. We finish with Tartini's famous
'Devil's Trill' sonata. Some promoters have even chosen
to serve Italian wine in the interval to complete the Italian
experience!
Viva Vivaldi
Vivacious vibrant violin virtuosity... via Vivaldi's Venice!
Vivaldi's remarkable 'Four Seasons' with their dramatic depictions of nature
are a favourite with audiences and regularly fill concert halls.
We present them with spoken introductions alongside masterworks by
other much-loved baroque composers to create a dazzling and varied
programme.
Mr Purcell, Friends and Rivals
Stunning
music from seventeenth-century London: The Purcell brothers and other native
English composers are contrasted with foreign virtuosi who lived and
worked alongside them. The second half is inspired by an official
composition contest for 'the Encouragement of Musick' which took place
in 1701. The finalists were four leading composers on the London
theatre scene: Eccles, Weldon, Finger and Daniel Purcell. Their task
was to set to a libretto to music, and the result surprised
some and horrified others. One competitor was so disgusted that he
left the country! We present works by all four composers so that the
audience can make up their own minds! This programme is packed with
toe-tapping dances, soulful melodies and rumbustious divisions, and is
made up of some of the best music we have discovered as part of our
English Project.
Airs for the Seasons: Music of the Scottish Baroque
When
Scottish composers began to assimilate the baroque style of Corelli and
Handel in the early 18th century, they incorporated Scottish folk tunes into Italianate sonata
forms, creating a colourful fusion style. A leading figure is James
Oswald, whose 'Airs for the Four Seasons' consists of 96 sonatas, each
charmingly named after a flower, grouped under the name of the season in
which it blooms. We present one sonata from each season,
interspersed with works by other native Scottish composers from the
late 16th to the mid-18th centuries. Spoken introductions offer
glimpses into the lives of these characters, which include a music
tutor to the royal children, a soldier who travelled to the New World,
and a secret messenger to Mary, Queen of Scots! The music is as
diverse as their occupations, creating a fascinating and varied
programme.
A Baroque Christmas A
festive extravaganza showcasing masterworks by favourite composers
from across baroque Europe, including Handel, Scarlatti and Bach.
The second half consists of seasonal music for midwinter,
including Biber's 'Nativity' sonata, the 'Pastorale' from Corelli's
Christmas Concerto, a German setting of 'In dulce jubilo', and
Vivaldi's 'Winter'. Best enjoyed with mulled wine and mince pies!
The King's Delight Music from the royal courts and theatres of Restoration and Georgian
London, from elegant sonatas to rumbustious country dances. An evening
in the company of Handel, Gibbs, Playford, Purcell and others. We set the
scene with evocative readings and humorous anecdotes by Pepys, Boswell
and Johnson. music we have discovered as part of our
English Project.
Old meets New! Contemporary
composers, inspired by the colour possibilities of early instruments,
have written some fascinating repertoire for baroque violin and
harpsichord. These works often draw on early musical forms.
We highlight the link between old and new music by performing a
selection of contemporary pieces by composers such as Richard Gwilt,
Andrew Wilson-Dickson, Rachel Stott, Gavin Stevens, Colin Hand and
Lawrence Traiger, alongside baroque (and earlier) composers, whose
works either served as inspiration, or share similar compositional
traits, including Bach, Buxtehude, Farnaby and Biber.
Education programmes
Children's concerts
We have considerable experience at performing in schools and have
tailor-made programmes for children which tie in with the National
Curriculum, including the theme of the Tudors for primary-aged
children. These are concerts rather than workshops, but are highly
interactive and incorporate lots of opportunity to join in, learn about
the unusual instruments, and ask questions.
Lecture Recitals
These are available for older students and adult audiences. We are
pleased to meet specific requests for themes, but examples can include
the history of the violin from its origins to the present day, the
development of early keyboard repertoire, eighteenth-century national
styles, or a more detailed survey of one country or composer from the
baroque period.
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